![]() Like all the uptempo songs on Control, “When I Think Of You” boasted a tough archetypal 80s dance beat, but, in essence, the song was much less aggressive than “Nasty,” which preceded it as a single. ![]() An eye-grabbing video depicting Jackson going through some vigorous but carefully choreographed dance moves in the company of male dancers helped to widen the song’s popularity. Contrasting with this harsh, almost robotic backing is an arresting human element in the shape of Jackson’s girlish voice. Sonically, the song was distinctive: driven by pounding, industrial-like drum-machine rhythms and metallic synth lines enunciating catchy licks. “My first name ain’t Baby, it’s Janet… Miss Jackson if you’re nasty.” So sang an angry-sounding Janet Jackson on “Nasty,” her second consecutive No.1 single in the US R&B charts, and not only one of the best Janet Jackson songs, but one of the best songs of the era. It also put Janet Jackson back at the top of both the US pop and R&B singles chart in September 1989. Thematically a much deeper album than Control, it focused on pressing socio-political issues, but, singles-wise, kicked off with a pining love song, “Miss You Much.” The song was delivered via a hammering dance groove that reprised the aggressive style and sparse sonics of Control. Three years after Control, Janet Jackson reconvened with Jam and Lewis in their Flyte Tyme Studios in Minneapolis to record Janet Jackson’s Rhythm Nation 1814. The track reached No.3 on the US R&B charts and No.6 in the UK. Riding on a mellow, hip-hop-inspired groove, Jackson – who had started presenting herself as Janet, rather than Janet Jackson – is accompanied by A Tribe Called Quest rapper Q-Tip. This song’s title took its inspiration directly from Joni Mitchell’s 1970 protest song “Big Yellow Taxi,” whose chorus (“You don’t know what you’ve got until it’s gone”) it sampled. It was popular, too, in the UK, where it peaked at No.4.Ĭlick to load video 10: Got Til It’s Gone (1997) Though the song made No.8 on the US R&B chart, it rose to No.1 in the Hot 100. Lighter in tone, though, is “Together Again,” a pop-dance excursion with hints of Motown and house music in its musical DNA. This was the second single taken from Jackson’s 1997 album, The Velvet Rope, a frank confessional that addressed the singer’s purported battle with depression as well as subjects ranging from domestic violence to sexual identity. ![]() It also spent a week at the top of the US R&B charts. The tune was co-written by Jackson’s producers with former New Edition members Michael Bivins and Ronnie DeVoe (then two-thirds of the group Bell Biv DeVoe) and was nominated for a Grammy. ![]() In between her Rhythm Nation and janet albums, Jackson duetted with silky-voiced soul crooner Luther Vandross on this upbeat Jam & Lewis-helmed tune, which was taken from the soundtrack to the film Mo’ Money, a comedy starring siblings Damon and Marlon Wayans. #MICHAEL JACKSON DISCOGRAPHY DOWNLOAD MEGA FREE#Its place among the best Janet Jackson songs was forever assured when it became her 18th consecutive Top 10 US smash, a feat that had never been achieved before by a female recording artist.Ĭlick to load video 14: The Best Things In Life Are Free (1992) #MICHAEL JACKSON DISCOGRAPHY DOWNLOAD MEGA PLUS#Written by Jackson together with Jam and Lewis, plus her then-husband, René Elizondo, Jr, the tune was the third single from The Velvet Rope and topped the US R&B charts in 1998. This time, the music had a gospel undertone and a purer R&B sound. 17: I Get Lonely (1997)įeaturing stellar background vocals from R&B supergroup Blackstreet, “I Get Lonely” was another example of Jackson’s ability to create immersive storytelling romantic ballads. A song about romantic bliss, “Alright” adhered to the formula that defined her Jam & Lewis-era material, welding an irresistible chorus and sweetly harmonized vocals to a pummeling rhythm track. Propelled by a thunderous swing-beat groove and peppered with samples, “Alright” was the fourth single taken from the Rhythm Nation 1814 album. ![]()
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